about me

A man with glasses holding a camera, standing on a wet cobblestone street in an urban area with tall buildings and shops in the background, in black and white.
A man with glasses holding a camera, standing on a wet cobblestone street in an urban area with tall buildings and shops in the background, in black and white.

My connection to photography goes far beyond wedding coverage. It’s an ongoing document of real moments, raw energy, and the unscripted stories that bind families and generations together. I shoot with a hybrid approach—combining digital precision, loaded with custom film recipes, with authentic analog film rolls. For me, it’s not about light-and-airy romance or artificial staging; it’s about tangible texture, real light, and unfiltered human connection. I don't over-edit or fake atmosphere. I capture the honest tone of your day so that decades down the line, these images don't just look like memories—they feel like them.

The Mindset

Wedding photography is a raw, high-contrast medium—closer to an intense song than a quiet poem. It’s an honest visual language that captures energy, body language, and raw emotion without relying on staged perfection or artificial romance. I focus on the authentic pulse of the day: the tension before the ceremony, the unscripted laughter, and the quiet, real connections between people.

The Approach

My work sits at the intersection of documentary speed and editorial sharpness—a style often called loose editorial. I bring a solid background in classic photojournalism, refined in Paris and Rome, to every assignment. The workflow is hybrid: digital setups loaded with custom film profiles, alongside authentic analog rolls. No endless retouching, no fake light, and zero forced direction. The goal is simple: capture the actual atmosphere, character, and cultural rhythm of your day as it unfolds.

Visual DNA

My influences come from iconic photojournalists, sharp street portraiture, classic cinema, and analog print archives. A wedding isn't just one thing—it’s a living mix of fashion, documentary, and character study. That constant collision of styles is what fuels my process. For me, photography isn't a passive job; it's a relentless search for real texture, honest frames, and stories that hold their weight over time.

A couple holding hands across a cluttered dinner table with empty plates, wine glasses, and a bottle, after finishing a meal.

Visual Reaction

A pair of high-heeled satin shoes with bows, a glove, a manila envelope labeled "Thank You," and a circular medal or medallion with a ribbon on a tufted velvet armchair.

Great photography happens in a split second—where instinct meets pure, unscripted reality. No amount of direction can recreate the natural spark between subject and photographer. That honest, unrepeatable tension is what gives a frame its staying power, and it's precisely what I hunt for every time I press the shutter.

pt.1

Choosing Your Match

Selecting a photographer shouldn't feel like filling out a checklist; it’s about absolute alignment in vision and philosophy. You need to find a visual language that speaks to who you really are. Building a straightforward, transparent connection from day one removes the anxiety of being filmed, allowing the day to flow naturally into sharp, unforced imagery.

pt.2
Close-up of a woman's hand wearing a ring, resting on her waist, with intricate lace wedding dress featuring floral embroidery and beaded details. 
pt.3

Territories & Light

My work spans from the historic estates of Northern Italy and the sun-bleached stone of Apulia to the volcanic landscapes of the Aeolian Islands. I also regularly work across southern Europe—from the harsh, high-contrast light of Andalucia to the Atlantic textures of coastal Portugal. Every destination brings a distinct atmosphere, fueling my hybrid process of digital film recipes and authentic analog grain.

Two people are dancing and laughing at an outdoor nighttime gathering, with string lights above and a few blurred figures in the background.

"Photographing is like tiptoeing in the kitchen late at night and stealing cookies"

— Diane Arbus